Hannah Tinti's story class at One Story

Yes, I've fallen sadly behind about posting story related content here. But I did want to give a heads up to anyone who might be doggedly lingering here that the renowned literary journal One Story is offering a class taught by One Story editor and celebrated author in her own right Hannah Tinti teaching story fundamentals. I took the editing class that One Story lead earlier this year and was quite impressed by it, although I think there remained a gap between seeing in this case Will Allison's editing skills and my own attempts to achieve the same. I remain impressed and even astounded by the amount of care and consideration they give to the stories that they publish.


This second class will be a bit different in that it is going to teach you about working on your own story. I tend to like classes where you work hard and have something to show for your efforts at the end. This one looks promising. In any case, the details are HERE .

storyaday

Here's another website celebrating Short Story Month 2014. It's called StoryaDay.org. If you sign up, you can submit listings for stories you'd like to see get greater exposure, apparently even your own if they have been published by someone other than yourself. This appears to be an ongoing venture rather than just a month of May kind of thing, which is nice.

A Cool Thing to Do-LCRW

I recently renewed my subscription to Lady Churchill's Rosebud Wristlet, partly in gratitude for it being responsible for my story "The Pirate's True Love" having any kind of life out there in the world at all, but also because it is one of the coolest little zines around, and it is always a pleasure to find it in your mailbox. I received Issue 29 last week, and I have just read the first story, which is written by Jennifer Linnaea. It's called "Smash!" and has a little something to do with sea monsters. The LCRW folks do seem to have a preference for these seagoing tales. It was very good. And short. If you had a subscription you could read it in a few minutes.


So why not get a subscription? They're cheap, and it will make you cool, like me...Yes I am too cool! I mean maybe not before I upped my subscription, but I am now. At least till the subscription runs out.


Okay, getting a subscription to LCRW may not make you cool. But it will make you happy.


For happiness, enter HERE.

Speedboat

I'm getting a bit behind here, but it occurred to me that I can link easily to a couple of story collections I've reviewed in the not too distant past. The first one is Renata Adler's Speedboat, which made something of a splash (sorry) when it first came out. I'd been meaning to read it for many years when a new edition by New York Review of Books' press brought it to my attention again. I'm still not sure if I think it has withstood the test of time or not. Here is my take on it at Escape Into Life.

Flash Jab Drabble challenge

Just in time to be part of my May Short Story Month posts, Jack Bates has announced another Flash Jab drabble challenge. A drabble is precisely 100 words. There's an intriguing photo to give you inspiration. I've submitted a few drabbles to Jack in my day, and he's posted them. So seriously--give it a shot. If I did it, how hard can it be?

Dubliners, the Centenary

I might have been wondering a little what I was going to cook up for day 5 of National Short Story month, but as it turns out, it was handed to me on a plate. Mark O'Connell has written an excellent piece for Slate Magazine on The Dubliners, a hundred years on, as well as Dublin itself, being a writer in Joyce's wake (his Wake?) and other things. Many consider Dubliners as the story collection of story collections, and it would certainly be a good year to read it or reread it. I am hoping to do so myself before the year gets too much older.

Story for Saturday--Paul D. Brazill

Okay, it's Sunday already, but I just remembered an obvious post to do here, which is about Paul D. Brazill's blog. He's quite the promoter of the grittier side of British fiction, but more importantly for our purposes here, he does a Story for Saturday post every, well, Saturday, featuring his own work.


Brazill's stories tend to be VERY gritty but tempered by a dark sense of humor. They would probably range on the side of too gritty for my tastes normally, so be forewarned, but he is such a good writer that I  muster up my courage and plunge in. There's a morality to the Brazill universe--usually-- even if justice tends to come in a little late and a lot harshly. And I think there's a kind of compassion there for people living on the lower end of the economic order, playing the cards they've been dealt the best they know how. Which is not always to say well.


Here, forthwith, "Scopey's Choice".